love that character. would hate to go into their tag.
“
A-98 entered the refresher station, moving along to the steaming tile-floored confines of the shower room. He leaned against the gushing water, gasping as it struck his new abrasions. After emerging from the ocean onto the bloody beach they had spent another six hours struggling up a hill to capture a stun-gun-protected flag, working against captured or simulated battle droids. A full day of glorious, grueling torture.
The soap squirted out of one of his brothers’ hands, and Nate caught it. Then, to the amusement of those around him, he tossed the slippery bar from one hand to another like a carnival performer.
That action triggered a brief wave of spontaneous silliness and dazzling jugglery as the troopers flipped the bars of soap back and forth to each other almost without watching, as if they were linked by a single enormous nervous system.
It went on for several hilarious minutes, then died down due to shared exhaustion. They soaped themselves, wincing as astringent foam flowed into cuts and bruises.
This was his life, and Nate could imagine no other.
”Cienie’s take on Mandalorian Culture: Kad Ha’rangir and mandalorian traditional weapons, p.2
There are in theory contradicting sources about Taungs - namely Death Watch Manifesto [Bounty Hunter Code], Star Wars: The Essential Guide to Warfare Author’s Cut, Part 2 – Ancient Coruscant and Republic Collapse, all written within the TCW era (2008-2020) and Mandalorian song Vode An best known from the Republic Commando game soundtrack (2005).
The first source claims that Taung Crusaders “relied primarily on handheld weapons such as beskade and Mythosaur axes” and that those weapon forms inspire modern Mandalorian designs.
Bounty Hunter Code also included an artistic version of Taungs proving themselves against Mythosaur, while using swords / sabers against the beast.
The problem with the Death Watch Manifesto lies in its political nature and so can’t be treated as an objective source. The point of Manifesto was to gain new loyal members of Death Watch (the loyalists of Old Faith) to fight against Duchess Satine Kryze’s pacifist rule. Text provided simplified version of the conflict between warriors and so called Faithless supported by Republic and Jedi from supposedly perspective of Tor Vizsla[3], including emphasis on repression that happened upon the traditionalists, such like exile to Concordia and intentional destruction of their culture:
“Seven centuries ago, their craven, hut’uune warships and Jedi bombarded our worlds. They incinerated Mandalore’s farmland and forests, leaving much of our homeworld a forsaken desert of fine white sand, and then occupied our worlds. They killed, exiled, or disarmed our warriors and suppressed our ancient codes.
or
“Our secret operations on Mandalore and Concordia are producing more and more beskar, but Mandalorian armor remains hard to find - and the New Mandalorians treacherously destroyed many heirloom suits of beskar’gam.”
and
“Some of our warriors were exiled to the moon Concordia. Others - myself included - slipped away to resume the ba’slan shev’la”.
This raises a question: how close to the truth is the knowledge provided by the author? If warrior culture were systematically erased for ages within Mandalorian society, then there is a high possibility that author’s knowledge is either
- incomplete - the ancient tradition was passed in secret for ~700 years and from the start was designed to uphold customs that warriors should consider sacred, thus the only one correct and right version to believe. After such a long time Tor Vizsla (and Death Watch members in general) may simply repeat already whitewashed “history lessons” that for ages fitted Faithfuls’ needs. In that case we could assume the author himself does not lie on purpose and simply presents the knowledge passed through generations between traditional Mandalorians.
- deliberately present information in a way that fits the Death Watch’s rhetoric to manipulate/encourage readers to the author’s case. This doesn’t mean Tor is lying about events per se, as Sith War, Mandalorian Wars and Republic attack on Mandalore did happen and have confirmation in different sources, however the manner of presenting is clearly non-objective. This is especially noticeable in a way Mandalorians are separated into Faithful working hard to keep their culture alive and thus in symbolic way face and overcome the trials of Kad Ha’rangir (the warrior / positive god) while Pacifist choose the easier way and follow the Arasuum (negative god) or how the text focus so much on connecting modern Mandalorians to their mythical-historical progenitors as Mandalore the Ultimate (who opened Mandalorian warrior ranks to anyone worth of the title) and Taungs in general.
Of course, those two options don’t exclude each other and may easily co-exist, as the author operates on knowledge passed down to him while presenting it in a favorable way to potential members of Death Watch. Which leads me back to Taungs using swords and what traditional weapons means.
Taungs at some point needed to pass down their metallurgist knowledge to humans and other assimilated Aliens so it is very possible that their blacksmiths in fact had made those types of weapon, especially in a period of time close to Mandalorian Wars. The new warriors (Neo-Crusaders) needed to be properly equipped - and many “recruits”came from Republic territories thus could be more familiar with sword fighting than using axes, so the author may not be wrong about ancient Mandalorian design on which the modern beskar swords are based to some degree. With Mandalorian culture existing for over 7000 years, both (Taung) axes and (Mandalorian human) swords at some point became seen as traditional Mandalorian weapons however there is no way to say for sure did Tor Vizsla had a proper knowledge about Taung battle methods or did he stretched the facts for propaganda, as another cultural tradition that humans shared with the ancient Mandalorians?
Considering the nature of the Death Watch Manifesto and mentioned destruction of warrior culture by New Mandalorians (Republic), I tend to favor the latter possibility. Especially when the three most important ancient Mandalorian (Taung) deities presented in the same Manifesto carry no sword-like weapon. Which again raises a question, what is the point of a god called Kad (sword) if the available picture (interpretation) shows him with a Taung-like traditional ax?
Hod Ha’ran too carries an axe while only Arasuum either is using ceremonial(?) cane or his weapon is deliberately held blade down, as a sort of symbol of giving up warrior nature (that author of Manifesto clearly ties to “traitorous” pacifism).
The ancient Mandalorian deities were led by the all-seeing Kad Ha’rangir (left), shown here beside the trickster god Hod Ha’ran (center) and the slothful Arasuum (right).
This is even more palpable, as:
I am but a mirrior of my master.







